Fans of Blu-rays: Start screaming. The Criterion Collection, that wonderful outfit that crafts impeccable special edition packages of the best in cinema, just announced their November 2020 slate, and wowie zowie is this one a humdinger. Sewing my wallet shut until these hit the streets, starting now!
MartinScorsese’sTheIrishman, likeRomaandMarriage Storybefore, will be making the shift from Netflix streaming to beautiful physical media, with tons of features to boot.Jim Jarmusch’s eclectic samurai-gangster-head-tripGhost Dog: Way of the Samuraiwill become your new favorite cult favorite.Norman Jewison’sMoonstruckwill serve you sparkly rom-com realness withNicolas Cageand friggin’Cher.Claudia Weill’sGirlfriendswill show you what every prestige dramedy has been cribbing from. And for real cinephiles, there’s a box-set ofFederico Fellinijoints that will be a must-buy.
Check out all the delicious cover arts (except forMoonstruck, which is still forthcoming!) and bonus feature details below. For more discs to spend your duckets on, here’s what’s coming toCriterion October 2020, includingBong Joon ho’sParasite.
Girlfriends (November 10)
When her best friend and roommate abruptly moves out to get married, Susan (Melanie Mayron), trying to become a gallery artist while making ends meet as a bar mitzvah photographer on Manhattan’s Upper West Side, finds herself adrift in both life and love. Could a new job be the answer? What about a fling with a married, older rabbi (Eli Wallach)? A wonder of American independent filmmaking whose remarkably authentic vision of female relationships has become a touchstone for makers of an entire subgenre of films and television shows about young women trying to make it in the big city, this 1970s New York time capsule from Claudia Weill captures the complexities and contradictions of women’s lives and relationships with wry humor and refreshing frankness.
Moonstruck (November 17)
A full moon, a New York City night, and love and music in the air . . . One of the most enchanting romantic comedies of all time assembles a flawless ensemble cast for a tender and boisterously funny look at a multigenerational Italian American family in Brooklyn, wrestling with the complexities of love and marriage at every stage of life. At the center of it all is a radiant Cher as Loretta, an unlucky-in-love bookkeeper whose feelings about her engagement to the staid Johnny (Danny Aiello) are thrown into question after she meets his hot-blooded brother, Ronny (Nicolas Cage), and one night at the opera changes everything. Winner of the Academy Awards for best actress (Cher), supporting actress (Olympia Dukakis), and original screenplay (by playwright John Patrick Shanley), this modern-day fairy tale is swept along on passionate Puccini melodies, and directed by master storyteller Norman Jewison with the heightened emotion to match.
Ghost Dog: The Way of the Samurai
Jim Jarmusch combines his love for the ice-cool crime dramas of Jean-Pierre Melville and Seijun Suzuki with the philosophical dimensions of samurai mythology for an eccentrically postmodern take on the hit-man thriller. In one of his defining roles, Forest Whitaker brings a commanding serenity to his portrayal of a Zen contract killer working for a bumbling mob outfit, a modern man who adheres steadfastly to the ideals of the Japanese warrior code even as chaos and violence spiral around him. Featuring moody cinematography by the great Robby Müller, a mesmerizing score by the Wu-Tang Clan’s RZA, and a host of colorful character actors (including a memorably stone-faced Henry Silva), Ghost Dog: The Way of the Samurai plays like a pop-culture-sampling cinematic mixtape built around a one-of-a-kind tragic hero.
Essential Fellini (November 24)
One hundred years after his birth, Federico Fellini still stands apart as a giant of the cinema. The Italian maestro is defined by his dualities: the sacred and the profane, the masculine and the feminine, the provincial and the urbane. He began his career working in the slice-of-life poetry of neorealism, and though he soon spun off on his own freewheeling creative axis, he never lost that grounding, evoking his dreams, memories, and obsessions in increasingly grand productions teeming with carnivalesque imagery and flights of phantasmagoric surrealism while maintaining an earthy, embodied connection to humanity. Bringing together fourteen of the director’s greatest spectacles, all beautifully restored, this centenary box set is a monument to an artist who conjured a cinematic universe all his own: a vision of the world as a three-ring circus in which his innermost infatuations, fears, and fantasies take center stage.
The Irishman (November 24)
Martin Scorsese’s cinematic mastery is on full display in this sweeping crime saga, which serves as an elegiac summation of his six-decade career. Left behind by the world, former hit man and union truck driver Frank Sheeran (Robert De Niro) looks back from a nursing home on his life’s journey through the ranks of organized crime: from his involvement with Philadelphia mob boss Russell Bufalino (Joe Pesci) to his association with Teamsters union head Jimmy Hoffa (Al Pacino) to the rift that forced him to choose between the two. An intimate story of loyalty and betrayal writ large across the epic canvas of mid-twentieth-century American history, The Irishman (based on the real-life Sheeran’s confessions, as told to writer Charles Brandt for the book I Heard You Paint Houses) is a uniquely reflective late-career triumph that balances its director’s virtuoso set pieces with a profoundly personal rumination on aging, mortality, and the decisions and regrets that shape a life.
